1 00:00:00,280 --> 00:00:01,113 - You're gonna bring your knees 2 00:00:01,113 --> 00:00:02,490 up to your chest and roll over. 3 00:00:04,450 --> 00:00:05,824 - Shoot, I missed the mat. 4 00:00:05,824 --> 00:00:07,060 (light piano tune) 5 00:00:07,060 --> 00:00:09,240 - Hi my name is Willy Appelman and this is Crowdsourcing 6 00:00:09,240 --> 00:00:11,073 where we take basic office problems, 7 00:00:11,073 --> 00:00:12,741 and we head outside of the office 8 00:00:12,741 --> 00:00:14,901 to find unique solutions for one group. 9 00:00:14,901 --> 00:00:15,892 Today's problem, 10 00:00:15,892 --> 00:00:18,290 what do you do when someone takes credit for your work? 11 00:00:18,290 --> 00:00:21,716 So we asked the most talented people we could find. 12 00:00:21,716 --> 00:00:24,057 Aerial performers. 13 00:00:24,057 --> 00:00:26,295 What would you do if someone took credit for your work? 14 00:00:26,295 --> 00:00:28,870 - [Woman] I would first probably try and talk to them 15 00:00:28,870 --> 00:00:31,843 and understand if maybe there was some misunderstanding. 16 00:00:31,843 --> 00:00:33,820 - I would try not to be a dick about it, 17 00:00:33,820 --> 00:00:35,460 even though the were a dick for takin' my work. 18 00:00:35,460 --> 00:00:37,413 - Get mad about it and make a new act. 19 00:00:37,413 --> 00:00:39,087 - Choose an aggressive song 20 00:00:39,087 --> 00:00:41,235 and put together a routine. 21 00:00:41,235 --> 00:00:43,114 - Use a lot of pointing gestures, 22 00:00:43,114 --> 00:00:47,878 a lot of cutting gestures, a lot of angry gestures. 23 00:00:47,878 --> 00:00:50,040 - What if they just keep on stealing your work 24 00:00:50,040 --> 00:00:51,070 then what would you do? 25 00:00:51,070 --> 00:00:52,165 - Then we would have a problem, 26 00:00:52,165 --> 00:00:54,653 and we'd definitely have to talk about it. 27 00:00:54,653 --> 00:00:56,450 (dramatic music) 28 00:00:56,450 --> 00:00:58,661 - Usually when I shoot stuff, I tend to sort of leave out 29 00:00:58,661 --> 00:01:00,498 some key components so it's harder to steal. 30 00:01:00,498 --> 00:01:03,210 But it's a whole situation in the circus community. 31 00:01:03,210 --> 00:01:05,020 Really try to give credit where you can 32 00:01:05,020 --> 00:01:07,908 because it takes hours to come up with just one simple move. 33 00:01:07,908 --> 00:01:09,270 - Don't give it all away. 34 00:01:09,270 --> 00:01:10,530 Don't give away all the secrets, 35 00:01:10,530 --> 00:01:13,190 kind of really be selective in what you put out there. 36 00:01:13,190 --> 00:01:14,420 - [Lady] Right, 'cause they'll see it online, 37 00:01:14,420 --> 00:01:15,730 they'll be like "oh that's really beautiful, 38 00:01:15,730 --> 00:01:17,380 I can figure out how to do that." 39 00:01:19,098 --> 00:01:21,150 Sure you can figure out how to do it, 40 00:01:21,150 --> 00:01:24,337 except for, I spent months figuring out how that sequence 41 00:01:24,337 --> 00:01:27,010 should flow together and now you've just done it 42 00:01:27,010 --> 00:01:27,960 in an afternoon. 43 00:01:27,960 --> 00:01:29,260 - [Woman] I would just warn people, 44 00:01:29,260 --> 00:01:32,381 to where they think "this is my idea, don't mess with it." 45 00:01:32,381 --> 00:01:34,600 Maybe, "here's my contribution thus far, 46 00:01:34,600 --> 00:01:37,350 please credit this and work off of it." 47 00:01:37,350 --> 00:01:39,140 - [Willy] So sometimes when people take credit for your work 48 00:01:39,140 --> 00:01:41,420 you kind of expect that there's gonna be a certain 49 00:01:41,420 --> 00:01:42,740 amount of that in the circus community. 50 00:01:42,740 --> 00:01:43,970 Somebody's gonna steal something. 51 00:01:43,970 --> 00:01:44,803 - Absolutely. 52 00:01:44,803 --> 00:01:45,960 - I'm gonna see just how hard it is 53 00:01:45,960 --> 00:01:47,370 to copy some of their work. 54 00:01:47,370 --> 00:01:48,203 Here we go. 55 00:01:54,050 --> 00:01:55,534 - Okay, that's called the meat hook. 56 00:01:55,534 --> 00:01:57,650 Yeah, I think I can do that. 57 00:01:57,650 --> 00:01:59,157 Okay, so I'm gonna just flip.. 58 00:02:00,030 --> 00:02:01,190 How do I get my legs up? 59 00:02:01,190 --> 00:02:02,454 I have really weak wrists. 60 00:02:02,454 --> 00:02:04,095 Oh, shoulders to my wrists? 61 00:02:04,095 --> 00:02:06,193 - Roll, roll roll, roll. 62 00:02:07,810 --> 00:02:08,643 Don't hurt me. 63 00:02:08,643 --> 00:02:09,476 (laughs) 64 00:02:09,476 --> 00:02:10,309 - Ah, shoot. 65 00:02:10,309 --> 00:02:13,023 I just tweaked my hip. 66 00:02:14,820 --> 00:02:16,440 Outside of my arms. 67 00:02:16,440 --> 00:02:17,519 - Go like, this way. 68 00:02:17,519 --> 00:02:19,383 Legs that way. 69 00:02:19,383 --> 00:02:20,740 - Legs that way? 70 00:02:20,740 --> 00:02:22,276 - [Instructor] Other side of the straps. 71 00:02:22,276 --> 00:02:23,380 - [Willy] That way? 72 00:02:23,380 --> 00:02:24,213 - [Instructor] Yep. 73 00:02:24,213 --> 00:02:25,987 - Got it, okay! 74 00:02:25,987 --> 00:02:27,355 (exhales) 75 00:02:27,355 --> 00:02:28,950 Lot of colors. 76 00:02:28,950 --> 00:02:29,783 Well there you have it. 77 00:02:29,783 --> 00:02:31,247 If somebody takes credit for your work, 78 00:02:31,247 --> 00:02:33,279 you could confront them face to face. 79 00:02:33,279 --> 00:02:34,615 You could just move on, 80 00:02:34,615 --> 00:02:37,609 or you could choreograph a dance to aggressive music 81 00:02:37,609 --> 00:02:38,978 and perform it just for them. 82 00:02:38,978 --> 00:02:40,353 Hey Amy. 83 00:02:42,043 --> 00:02:44,793 (intense music)