WEBVTT 00:00:00.000 --> 00:00:03.200 What was it like for you getting a chance to experience 00:00:03.200 --> 00:00:07.500 these different eras throughout the series man. 00:00:07.500 --> 00:00:12.300 It's been such a ride just the amount of attention and detail 00:00:12.300 --> 00:00:16.600 that the production in the crew and like from the cinematography 00:00:16.600 --> 00:00:19.700 to the art design to the props. 00:00:19.700 --> 00:00:21.900 They were also. 00:00:21.900 --> 00:00:26.200 Specific and so detailed that every time you walk on a said 00:00:26.200 --> 00:00:28.500 it was like, how did you like? 00:00:28.500 --> 00:00:31.700 How do you have time because do you know how many decades 00:00:31.700 --> 00:00:35.400 we are going across and you guys have from the smallest 00:00:35.400 --> 00:00:40.200 pen writing pen to a bowl and it's so specific and even with 00:00:40.200 --> 00:00:44.600 our cinematographer how he would use lights and styles that 00:00:44.600 --> 00:00:46.900 were specific to that decade. 00:00:46.900 --> 00:00:49.900 So that was really that's been really fun. 00:00:49.900 --> 00:00:53.500 And obviously as you can imagine the the fashion than the hair 00:00:53.500 --> 00:00:56.300 in the makeup getting to change that up with really really 00:00:56.300 --> 00:00:57.500 cool. 00:00:59.900 --> 00:01:04.300 Going through the single camera to the multicam. 00:01:04.300 --> 00:01:07.800 All of the different ways, Dee has been druthers decades 00:01:07.800 --> 00:01:14.500 even as we went throughout the day if you had other characters, 00:01:14.500 --> 00:01:18.000 so to speak that will pop up like in the fifties the live audience 00:01:18.000 --> 00:01:20.200 becomes another character. 00:01:20.200 --> 00:01:24.700 Then you get the other character of like the space you need 00:01:24.700 --> 00:01:28.200 for laugh tracks is like Linda Jo wait, 00:01:28.200 --> 00:01:34.000 wait, that's a whole other skill in element that you have to add 00:01:34.000 --> 00:01:37.800 into the mix and any in like with the 70s for me. 00:01:37.800 --> 00:01:42.200 It felt very the director was say a lot like, 00:01:42.200 --> 00:01:44.700 you know, you guys who can do more come on, 00:01:44.700 --> 00:01:49.700 you can give me more that I never felt so it felt already 00:01:49.700 --> 00:01:53.700 like you were doing the most over-the-top. 00:01:53.700 --> 00:01:56.700 Oh my gosh. 00:01:56.700 --> 00:01:58.500 I don't want to be terrible like 00:01:59.900 --> 00:02:04.500 Factoring it's not that like you you do still have to find how 00:02:04.500 --> 00:02:09.800 it is grounded in this reality and still fill the space of that 00:02:09.800 --> 00:02:14.500 structure and that in the technique that it that calls for that 00:02:14.500 --> 00:02:18.900 each decade called we're so that was a learning curve and a fun 00:02:18.900 --> 00:02:25.600 challenge. What is it like stepping into those shoes? 00:02:25.600 --> 00:02:33.500 They are very big shoes to fill and I have truly been enjoying 00:02:33.500 --> 00:02:34.600 every moment of it. 00:02:34.600 --> 00:02:38.400 It's been such a collaborative process with the creative 00:02:38.400 --> 00:02:41.000 team. You don't obviously she's iconic. 00:02:41.000 --> 00:02:42.600 She's legendary in the comics. 00:02:42.600 --> 00:02:50.300 But the goal is to make her human superhuman to make her a real 00:02:50.300 --> 00:02:54.200 live breathing three-dimensional person in that process has been 00:02:55.400 --> 00:02:59.000 It's been a really intense one. 00:02:59.000 --> 00:03:03.000 But but fun, you know, I don't want to sound like anything 00:03:03.000 --> 00:03:08.200 crazy. But if I take pride and I'm doing my best to really 00:03:08.200 --> 00:03:12.400 feel this woman's shoes and step into who she is and you know 00:03:12.400 --> 00:03:16.400 fans have loved her for so much over the decades and just wanted 00:03:16.400 --> 00:03:24.300 to make sure I do my best to do right by Monica rambeau the 00:03:24.300 --> 00:03:36.400 development of her story are so when I started to do my character 00:03:36.400 --> 00:03:40.300 work, I definitely went to the comic books on my own and Bill 00:03:40.300 --> 00:03:43.000 are mining through who she was in the comics. 00:03:43.000 --> 00:03:46.800 Also look to Akira off barns performance in Captain Marvel 00:03:46.800 --> 00:03:51.000 and what she brought in obviously as a child when you grow you 00:03:51.000 --> 00:03:53.900 change that you can be totally different than you were as a child, 00:03:53.900 --> 00:03:57.400 but I do think that they Elements of who we are as young people 00:03:57.400 --> 00:04:00.700 that remain with us and not only that but the relationship 00:04:00.700 --> 00:04:04.000 we have with those who are in our lives. 00:04:04.000 --> 00:04:07.600 So the relationship she had with her mom Maria rambeau and Carol 00:04:07.600 --> 00:04:11.200 Danvers Captain Marvel, how do those relationships 00:04:11.200 --> 00:04:15.900 influence her and there are more practical level Mary livanos 00:04:15.900 --> 00:04:17.000 who is amazing. 00:04:17.000 --> 00:04:22.000 She's our producer and she has been an incredible wealth of knowledge 00:04:22.000 --> 00:04:26.700 and she's a keeper of all things Comics all things Monica 00:04:26.700 --> 00:04:30.700 all things everything knowing that Monica is the first female 00:04:30.700 --> 00:04:34.600 Captain Marvel, what would it mean to you to be able to suit 00:04:34.600 --> 00:04:38.800 up as her and either one division or Captain Marvel to Monica 00:04:38.800 --> 00:04:43.600 rambeau has held many monikers over the decades. 00:04:43.600 --> 00:04:48.800 And so and I think they all been really special and a very particular 00:04:48.800 --> 00:04:54.800 way and so I don't know how or who she will be in the 00:04:54.800 --> 00:04:55.100 MCU. 00:04:55.400 --> 00:04:59.300 You because what I tell you since she changes names and she kicks 00:04:59.300 --> 00:05:02.200 butt and all of them until I eat. 00:05:02.200 --> 00:05:08.400 No, I don't know who she will be at in her superhero for but 00:05:08.400 --> 00:05:20.200 I am excited by the thought of any of them series progresses. 00:05:20.200 --> 00:05:25.400 So Central to what is really going on with Wanda, 00:05:25.400 --> 00:05:36.000 like we know that she's Central to you know, 00:05:36.000 --> 00:05:36.900 Wanda and vision. 00:05:38.400 --> 00:05:42.100 Their world. I don't know that that's really been answered 00:05:42.100 --> 00:05:43.000 yet. 00:05:45.700 --> 00:05:46.100 Yeah. 00:05:47.500 --> 00:05:50.800 Surfway surf point you talk a lot about representation 00:05:50.800 --> 00:05:54.800 and how meaningful it is to see black women in the spaces 00:05:54.800 --> 00:05:57.200 and not just in the space of superheroes, 00:05:57.200 --> 00:06:01.300 but also in the sitcom spaces, what is it meant to you or something 00:06:01.300 --> 00:06:05.700 that someone has said to you about being cast in and Captain 00:06:05.700 --> 00:06:09.800 Marvel 2 that has meant a lot of really captured what that feeling 00:06:09.800 --> 00:06:10.400 is for you. 00:06:10.400 --> 00:06:19.400 I think the thing that I hear most is usually from black women 00:06:19.400 --> 00:06:25.900 who are excited to see images of themselves on screen. 00:06:25.900 --> 00:06:31.800 Obviously, we haven't seen anything from Monica yet and wine 00:06:31.800 --> 00:06:35.900 division or Captain Marvel 2, but I definitely have gotten 00:06:35.900 --> 00:06:40.300 love from women and my DM's where they're just like, 00:06:40.300 --> 00:06:41.800 you know, I'm really proud of you and I'm really excited 00:06:41.800 --> 00:06:45.900 and this is really necessary and I do agree that it is necessary 00:06:45.900 --> 00:06:47.300 and although it. 00:06:47.500 --> 00:06:53.100 Like superhero Fantastical is still it allows this black woman 00:06:53.100 --> 00:06:58.500 to go into the homes of everyone not only across the country 00:06:58.500 --> 00:07:03.200 but across the globe and I feel it does give audiences 00:07:03.200 --> 00:07:07.100 of all race Creed's walks of life and opportunity to engage 00:07:07.100 --> 00:07:11.100 with her Humanity with the humanity of black women and that 00:07:11.100 --> 00:07:15.700 is so very important and I'm very honored and excited to be able 00:07:15.700 --> 00:07:20.000 to be a part of that process.