WEBVTT

00:00:00.000 --> 00:00:05.800
Office Depot in the righteous, but that song like is so underrated.

00:00:05.800 --> 00:00:07.900
Then you say it.

00:00:07.900 --> 00:00:09.000
I do know this song.

00:00:09.000 --> 00:00:10.800
Like, where is it been?

00:00:10.800 --> 00:00:11.800
This is exactly.

00:00:11.800 --> 00:00:13.600
Why do I hear this book?

00:00:13.600 --> 00:00:16.300
People sleeping on penises?

00:00:24.600 --> 00:00:28.000
I remember hearing about Minnie Riperton.

00:00:28.000 --> 00:00:33.500
Some of them may be more kind of popular culture references.

00:00:46.500 --> 00:00:48.500
That's why practice during that little squeeze,

00:00:48.500 --> 00:01:00.200
not at the top and the song Legends by the backup on the Black

00:01:00.200 --> 00:01:02.000
Hole Sun and she's singing.

00:01:02.000 --> 00:01:16.200
I'm on that song and let's have a look like songs from a wasp

00:01:16.200 --> 00:01:25.200
bite. I got to change the song for me to record.

00:01:25.200 --> 00:01:35.400
I remember that.

00:01:35.400 --> 00:01:39.800
Give me a cigar, but then my listen to come to my God.

00:01:39.800 --> 00:01:41.500
I love this to complete.

00:01:46.500 --> 00:02:06.100
Hostile about the way she writes that she speaks in a language,

00:02:06.100 --> 00:02:15.900
you know, station of a records, a specifically really leans

00:02:15.900 --> 00:02:17.800
into the ground Augusta.

00:02:19.900 --> 00:02:29.400
Feel but in many layers production in that profound like gentlemen

00:02:29.400 --> 00:02:36.400
and bring to light the softest of delivery and then punching

00:02:36.400 --> 00:02:39.800
you directly in the face in the car with a real course.

00:02:39.800 --> 00:02:42.400
What course means the course of voices?

00:02:42.400 --> 00:02:46.200
It's not just that she put all this rain again.

00:02:46.200 --> 00:02:57.600
It's wonderful that she can give some Credence to The Melodies.

00:02:58.600 --> 00:03:01.300
But like that time, this is something.

00:03:01.300 --> 00:03:15.200
So moving. So lyrical about Rick, Ness of Harmony and Arrangements.

00:03:15.200 --> 00:03:21.900
I think maybe things are coming in from all angles,

00:03:21.900 --> 00:03:25.200
but nothing is allowed a rolling concert.

00:03:25.200 --> 00:03:31.100
It's pure genius to be able to hold all of our and to be

00:03:31.100 --> 00:03:33.400
able to move around it as an office.

00:03:33.400 --> 00:03:35.200
That's not easy to do it.

00:03:35.200 --> 00:03:39.300
Maybe speaks a little while, by my record from the way they

00:03:39.300 --> 00:03:45.100
do, everything that I can about it.

00:03:45.100 --> 00:03:48.300
Why not being.

00:03:58.700 --> 00:04:04.200
And it's so and it's also the same.

00:04:09.400 --> 00:04:11.400
It's the Incarnation of the word fluidity,

00:04:11.400 --> 00:04:13.200
before I claim the time.

00:04:20.200 --> 00:04:26.000
I really don't think it's the feel of it.

00:04:26.000 --> 00:04:30.000
It's like the the Mitre the way she actually sings the line.

00:04:30.000 --> 00:04:33.600
It's a size of a dime.

00:04:33.600 --> 00:04:35.600
We get to the point of light.

00:04:37.700 --> 00:04:47.400
She's up in the rosters and the blob in the chorus comes in and

00:04:47.400 --> 00:04:52.100
it is the strongest feature you're going to feel because

00:04:52.100 --> 00:04:57.300
it's like the orchestra is in the Focus right now.

00:04:57.300 --> 00:05:03.400
In Los Angeles, open security.

00:05:03.400 --> 00:05:06.800
There's no way discovered without as much but it sounds like

00:05:06.800 --> 00:05:08.800
it's a real master class.

00:05:08.800 --> 00:05:11.700
If you really want to be by the stone cold out.