WEBVTT

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The music industry is constantly under siege for its exposure to

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practices and it seems like every few months and artist

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makes headlines discussing the pitfalls of their contracts

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and late October 2021 Meek Mill took to Twitter and essentially

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a tweet saying I haven't got paid from music and I don't know

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how much money labels make off me.

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I need lawyers ASAP.

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It's raining sound on Tik-Tok includes a 2020.

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Interview of Young Thug calling his first contract that he signed

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with APG, back in 2013, call for transparency,

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in the music industry, by releasing a hundred documents

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detailing. The contract.

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He signed with Def Jam.

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In 2005 can be happy.

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These deals can be

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Slept in a way that they just more fair recently.

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Rolling Stones, Elias light obtained, R&B artist summer Walker

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contract with label.

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Love Renaissance. Also known as lvrn in the contents raised,

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a number of eyebrows in the contract Walker signed.

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She agreed to receive just 15% of royalties on the first two

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albums forfeit ownership of her master's and be held this low

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royalty structure for what one entertainment lawyer,

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who review to draft described as a somewhat indeterminate

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amount of time, it took to Instagram to Simply confirm.

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That's what she agreed to and went on.

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To say her deal has changed since then,

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recording contract such as Walker's, 2017, contract,

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and more common than one, might think collecting just how exploited

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the music industry can be creators are definitely getting

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the worst. Possible.

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Peter's College, and experience entertainment lawyer, for review

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with rolling stone.

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Drafts of Walkers, contract documents.

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He spoke with RS, new to provide deeper insight into the complexities

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of the industry and white.

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How to change.

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I wouldn't be critical of the artist here like it's not on them

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that the deals are better.

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Not like they're bad negotiators.

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Not a lot of choices and the choices I made the best choices

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besides for what some of you as exploitative practices.

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Even drawing Power Players like Prince in the artist fight

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for ownership over their output.

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You can forget one in the 90s lady artist called I am a slave

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or his face and change his name to a symbol to this music under the

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moniker. The artist formerly known as Prince in protest

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of the restrictive, nature of his record contract,

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but with such a rapidly changing industry,

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and so, we realize the nature of such contracts,

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have relatively stay the same bottom line is, is

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that you're looking at a changing industry that had a few,

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two players that are still there.

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There were none in the world is contracts that occasion

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contracts that are very big party that drafted them and that

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are presented to a lot of people and their two degrees not negotiated.

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One way that contracts have changed for the worse is the introduction of

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the infamous.

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So-called 360 deal that includes options for obtaining.

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A percentage of all the artist revenue streams.

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Not just the music school found such a clause in the draft

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to Summer Walker's, 2017 contract, you reviewed and finds that

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this is becoming a more common practice across the industry,

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even though it may seem highly counterintuitive

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when you say I want to make records with you and we're going

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to split the money.

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You don't expect them to say, we also want money from other

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stuff that you're, you know, any money off of it.

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I understand that those terms are in contracts and in a lot of

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contracts, but they always, I think that people should push

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back on those as much as possible.

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But also, if they can try to negotiate a sunset on that particular

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provision so that it goes away.

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After a couple years to type deal,

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makes a lot of sense, they put up resources from the bill,

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and they expect to return for their investment was dreaming

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taking precedence over physical album sales.

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Labels had to find a way to recruit the loss of Revenue.

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Conversate and not just for the work making a record but their

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work building a brand what that sometimes fails to acknowledge

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is the humanity of the artist.

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I don't think they really look at it as artists and their career.

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So much as these are assets that we can monetize and various

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different ways. Now, there are alternatives to have an active

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role in shaping the music out to the masses for some,

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this option is extremely successful.

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By Chance the Rapper who won a Grammy as an unsigned artist,

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but for others, the risk of making,

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it can feel a bit more secure of label machine behind you.

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The label machine.

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My plan was missing was a machine yourself in the shoes of someone

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who's in that position and different because there aren't

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a ton of options if you want to go with.

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Marketing team and the best distribution, and the best PR and

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all that stuff.

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What you going to do?

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Where do you take one?

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2017? Also would have looked like, perhaps a better option

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or more sure.

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Thing school is independent option isn't fully viable.

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Belize big labels with the vast majority of the power in their

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hands. And in his view new artist,

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first contracts are written the way.

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They are to maintain that status quo on making it kind of a pig

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mostly intended to get revenues generated by the artist for the

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decent amount of time to take matters into their own hands

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and Peters. Hopefully, we will see more artists following

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a similar model to shake up the industry.

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A good level of services to the artist about taking 85% of the

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money from them or whatever.

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They've been in the next five years ago to see a couple transformative

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Solutions, pop up that will hopefully also check out the full

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feature on rollingstone.com.